Pablo Picasso - Le repos du sculpteur III


Vieux Sculpteur et modele assoupi avec un group sculpte representant des chevaux Luttant

Original Etching, Paris, 3rd April 1933, on small Montval fillegree paper, with Vollard signature watermark, bears signature of the artist in pencil

The plate for this was cancelled in 1956 and still exists in the Musee Picasso, Paris Edition: 260 - This was never numbered 

Reference: Bloch, Georges. Pablo Picasso, catalogue de l'oeuvre gravé et lithographié, 4 vol. Berne: Kornfeld and Klipstein. 1968-1979. (I:173) Bois, Yve-Alain, ed. Picasso Harlequin 1917-1937 (Complesso del Vittoriano, Rome, 11 October, 2008 - 8 February, 2009). Milano: Skira. 2008. (V.59) Bolliger, Hans & Bernhard Geiser. Picasso's Vollard Suite. London: Thames and Hudson. 1956, 1977, 1994. (64) Boone, Danièle. Picasso. New York: Portland House. 1989. (24p) Clair, Jean, Gérard Régnier & Dominique Dupuis-Labbé.(Galerie nationale du Jeu de Paume, Paris, 19/20 février - 20 Mai, 2001; Musée des Beaux-Arts de Montréal, 14 juin - 16 septembre, 2001; Museu Picasso, Barcelona, 15/25 octubre, 2001 - 20/27 enero, 2002). New York: Prestel. 2001. (105p) Dagen, Philippe. Picasso. New York: The Monacelli Press. 2009. (284p) Geiser, Bernhard and Brigitte Baer. Picasso: Peintre-Graveur, Catalogue raisonné de l’oeuvre gravé et des monotypes, 7 vols. Berne: Kornfeld. 1986-1996. (Baer 326) Mallen, Enrique, ed. Online Picasso Project. Sam Houston State University. 1997-2017. (33:066) Mourlot, Fernand. Picasso lithographe, 4 vols. Monte Carlo: André Sauret, Editions du Livre. 1949-1964. Mourlot, Fernand. Picasso: Lithographs. Boston: Book & Art Publisher. 1970. Penrose, Roland. Picasso: His Life & Work. London: Victor Gollancz; New York: Harper & Brothers; Harmondsworth: Penguin; London: Granada Publishing; Berkeley: University of California Press 1958; 1959; 1971; 1973; 1981. (14.3) Thomas, Denis. Picasso & His Art. New York: The Hamlyn Publishing Group. 1978. (51) 

Note: The publication of the hundred etchings created by Picasso between 1930 and 1937 was one of Ambroise Vollard's most impressive undertakings. Vollard was one of the greatest art dealers and publishers of his time and his championship of some of the most celebrated artists of the day deserves the thanks of later generations. His artists, to name but a few, included Cezanne, Renoir, Gauguin, Van Gogh, Rousseau, Rouault and Picasso. Picasso met Vollard in Paris in 1901 and worked with him over an extended period. When the Vollard Suite etchings were first made they were in fact rarely signed (with the exception of some rare proofs made on vellum in editions of 3). Vollard died tragically in a car accident in 1939 and eventually, after the Second World War, most of the Vollard Suite passed into the hands of the famous Dealer Petiet. Petiet knew that Picasso , would never sign anything until he was paid for it and the artist required a substantial fee for putting his signature on the Vollard Suite etchings. Accordingly Petiet gave his buyers the option of buying them either unsigned or, for 10% more on the cost, signed. This meant that Picasso signatures from 1939 until the artists death appear on Vollard Suite etchings. Obviously there is a difference in the artists signature as he aged. This etching is completely genuine but we believe that the signature may be apocryphal which is why we have described it as “bears signature” 

Published by: Ambroise Vollard, Paris 

Printed by: Lacouriere in 1939 Size: 44.5 x 34 (paper size) ; 193 x 267 mms (plate size) 

Public Collections: Musee Picasso, Paris